The Skills Required To Get A Baby on Film

In the many types of photography you may have to do as a photographer, baby shots may be the most difficult. Even if you are not a professional photographer but you are trying to get a great looking portrait of your own child, getting them to cooperate is a major undertaking.

The first rule to live by with baby photography is that, as a matter of face, they ARE the boss of this shoot. The entire process has to be built around that fragile mood of this child. But there are a couple of tricks of the trade you can use, professional or amateur to get the best shot of that sweet baby.

Baby’s respond well when they are fed and rested, with people they know and trust and when they get all the attention. So right off the bat, you as mom and dad can see to it that the shoot happens when requirement number one has been met. Now, that is not always easy. If you have an appointment to take the baby to the get his or her portrait made at the local photography studio, that mood may not be the way you want it to be.

That is why, if at all possible we would discourage taking the shots in a studio. If you can set up a shoot at the baby’s home, where there is a comfortable setting and much that is familiar around, you have many more opportunities to get that smile that will make the portrait of a lifetime there. Now that calls for a “house call” by the photographer but if he or she is a photographer that wants only the best shot of the child, they will work with what you want.

Another advantage of scheduling the shoot at home is that you know when the baby usually is at his or her best so you can schedule it when that time of day is just right. In fact if the photographer can show up during nap time, there is plenty of time to stage the shot before the angel awakens. And by eliminating the car ride to the studio, you take away a huge risk of that fragile mood going south en route.

A second tip comes from the fact that babies like people they know. So if the photographer has time to meet the child, play with him or her and get a rapport started, then they will be more receptive to playful direction to get the shot you want. You will have to be clever how you introduce the camera as it can either be an object of fear or looked upon as a toy and the baby will want to play with it.

As far as the camera goes, think about the kind of equipment you will utilize to get that perfect baby portrait. You want it to be portable, so you can do those on location shots that work so much better. It should be small, both for portability and to not alarm the child. Digital is best because you can shoot lots of shots and never have to reload. But make sure it’s a good quality piece of equipment that will shoot at a high resolution so when you get that prefect shot, it will transfer to a portrait printing nicely.

By setting up the room with the kind of backdrops that will create a good portrait, you can then have the baby begin to play with her or her toys and interact with parents, siblings or the photographer in a happy way. Before long that sound of the camera clicking and even the flash will become familiar and the baby won’t pay it any mind.

The best shots are of the baby laughing. Try to get on the same level with the child as he or she plays. Mom and dad know the notices or games that always get a giggle so exploit their inside information extensively. The baby will enjoy getting to know you and hearing those familiar games coming from you should do well at getting that sweet laugh or smile you want.

By learning the baby’s personality and how to get in sync with the child, you can coax pictures from the shoot that might other wise be impossible to get. And that is what you want if a portrait of a baby that you want to last a lifetime.

About Photography Online

Taking pictures is not the only way to litter our walls with photography. There are those who are not interested in being behind the camera, but appreciate the art. If you have wondered where you might find some wonderful prints with a professional touch, but do not want to go to the galleries you might want to take a tour of the online world. Many people who take pictures place the pictures online for all to see. This helps you gain reorganization and potential clients for photography work.

The online world is full of photographers waiting to be discovered. Places like deviantart.com, eBay, and other online galleries exist for the convenience of finding new photographs for you home. Simply by putting the words photography, photographs, or prints will not lead you to the more professional prints online. When searching online you will need to use specific keywords. These keywords take you to picture of a specific nature.

If you are more interested in wildlife it is best to use those key words along with photography. Another drawback to online searching is getting the product from a reputable source. You want to make sure that your credit card information is safe, that the shipping will be affordable and appropriate. How they ship the print is also important you want to make sure a shipping company will not damage it. The number one thing about shipping prints is they require some insurance to ensure your investment has protection against damage, potential lost and theft when delivered.

There are several tips you will want to follow when shopping online. Perhaps the most important tip is remembering you are seeing the print scanned into the online store. This means you are not in the gallery to check the print over and analyze it to the full extent. You will want to be a little wary if the photographs are grainy or they appear to have flaws. It is often best to shop online at art galleries with a reputation. These companies generally have great reputations and offer different shipping methods and insurance.

In order to find appropriate sites you will want to understand page rank. Google ranks the web pages in order to give you an idea of the pages with the information you want as well as letting you know the sites validity. The higher the page rank, the more traffic the website has seen. Big known websites might offer more pictures and quality picture from a reputable service or business.

It can be very difficult to find photography galleries online that will actually sell their prints. It will take a little time and effort, but the results are most often worth it. Just searching for keywords may net you photography techniques or schools rather than galleries to purchase from. If you have a favorite artist or gallery chances are you can enter their name to find the prints you are looking for online. If you are hoping for quality prints, but do not wish to pay for an artist’s name you may have to spend a few hours to find just the right photographs.

Online galleries are just another way technology has become convenient for all of us. Finding photography online to purchase can be difficult if you are looking for an obscure artist or print topic. You will need to search with specific keyword or topics to find prints. If you are interested in Alaskan photographs of wildlife you should narrow your sure just by mentioning the state. We all find photographs add to a homes décor. Galleries are often the way most of us find photographs because we like to see the prints up close, however online is the new way for convenience. So the next time you wish to change out your homes décor you might look online for ideas if not the product to satisfy you and your families needs.

A Fashion Photography Career

We see them everywhere, in Magazines, on the Run Way, in advertisements on TV. They are the slender women strutting their stuff or extra ordinary Beauties with their sultry looks flashing their pearly whites while wearing the newest Styles from the hottest Designers. We are talking about the fashion models of today, yesterday and tomorrow. They are everywhere we look, but who brings them to us? Their images are captures with care and precision, patience and that special look for style, color and lighting composition. I am talking about the fashion photographers.

In the fashion circles famous names like Mario Testino (easily one of the hottest names out there) and Eva Mueller (photographer for Fashion Magazine Allure) are just as sought out if not more then those men and women sauntering their way into our conscious.

High Paychecks and glamour’s Lifestyle of hob nobbing it with the rich and famous might be the dream of many young shutterbug, however it is not easy to reach the golden Staircases of the well-known fashion houses and magazines. For every one talented photographer, hundreds are left panting at the sidewalk, only dreaming about the moment that their photo will be chosen.

Here are a few tips for the novice and dreamer of dreams in getting started in fashion photography. Study your subject. You can never learn enough. Read and look at any fashion Magazine you can get your hand on. There are fantastic books on Fashion and fashion photography available. Amazon.com has a true treasure trove available. You need one or two good cameras, tripod and a lighting system. Always make sure that you have plenty of film and batteries available. SLR and digital cameras take different photos, so make sure you find the best for your field.

When submitting your work, hopefully to give a chance you have to have a portfolio on hand, just in case the editor of the fashion magazine wants to see samples of your work. I assure you if they consider working with you that is going to be a fact. The sharp, bright images of a 4X5” transparency show of your work to its best effort. If you have already had a publication, no matter if, it was a small neighborhood magazine/paper or a contest a tear sheet (literally a sheet you tore out of the magazine) works well. If neither is at hand a good high quality 8 X 10 “is acceptable as well. You want to make sure that you have a minimum of 20 photos in your portfolio and preferably different styles. You want to show your expertise in full figure or just partial body parts.

Remember, fashion includes jewelry and accessories. Sometimes a watch from a famous maker on the slender wrist of a beautiful woman is a good fashion shoot. If you are applying for the job, be prepared to leave your Portfolio behind for an extended period of time, sometimes as much as a couple of weeks. I would advice you to make copies and have several on hand. This comes in handy when showing your work to many different people for consideration for fashion work.

In the time of modern technology, it is good to display your talent as a fashion photographer online as well. Set up a website; submit your photos to contests. Submit them to an online fashion gallery. This helps with getting your work seen and people can see what type of work you actually do and can do for them.

Most editors are looking for your personality in the photos you take. Each fashion photographer captures the soul of the fashion and its model differently. There are a couple of very good “how to get started” websites on the net. You might wish to start out with http://www.fashion.net/howto/photography/ or http://www.stylecarrer.com/fashion_photographer.shtml. Most importantly, if this is your dream, don’t give up. Keep trying and I hope to see your images on the cover of my next hot fashion magazine.

Candid Photography - Catching People Unaware

Candid photography is by definition taking pictures of people when they are unaware. Part of the fun in photography is catching your human subject’s off guard so that your pictures have more emotion. Photographers who work for magazines, like Time Life, have been able to get candid shots of their subjects. I think most of us can remember the black and white photographs of Africans and others giving rise to more emotion from the viewer. Taking candid shots may appear easy although there are few techniques in the photography world that will make the candid shot worth more than just a snap shot of friends.

First and of course most important is to keep the subject in view while they are not paying attention. The next step is training your eye to catch the moment. You have to be able to move fast, but with design. You need to have your camera set for the picture before you are even aware you will take the photograph. The best way to do this if you have a digital or automatic camera is to keep it on the proper setting. Manual cameras take moments to focus and can loose the candid shot if your subject becomes aware of you.

Candid photography relies on the light; however, you may not always get to choose the angle. The angle could be where you are standing at the time. As a photographer of candid photography, you know the importance of choosing the best angle at the right moment that is possible.

The entire point of candid photography is to gain the unguarded moments of a person’s emotions, whether it is tears, happiness, love, or other emotions. While it is true, you need to have light, angle, and a good camera to catch the shot it is more important to observe. Most photographers are trained observers. Their eyes will wander over the crowds, landscape, or other setting searching for the perfect shot. They will always have a camera ready. It can be extremely hard when you are taking photographs of your friends because they tend to be more involved in the conversations or activity.

The key to taking candid photographs of your friends is to draw them away from the fact that you carry a camera. If they forget you carry the tool, they are more likely going to act natural. Some friends tend to pose in front of the camera while others will shy away turning their backs when you get ready to take a photograph. Knowing your friends will help you find the best way to take candid shots without their knowledge.

Observing, having the camera ready, and understanding the basics of photography will yield you better results when you try for a candid shot. Posing or turning away from the camera will take away from the shot you hoped to attain so hanging to the side or a little ahead can get you the shot you may need. Profiles make great candid shots because the person will not realize you are taking a photograph until you have already clicked the button. Candid photography can be one of the most rewarding arts of photography, but also vexing when the subject is aware of the camera. Always remember the camera when going out with friends.

How To Get The Best Results From A Camcorder Audio

When you move from photography to videography as your means of capturing moments either personally or as part of your profession, you enter into a much bigger world with greater challenges as well. For one thing, you now have to deal with issues of movement. The problems of lighting and surface noise are just as big of an issue except now you have subjects that may be on the go and you have to go with them.

But when using a camcorder to capture the event under scrutiny, whether it’s a wedding, a speech or presentation or some other significant event, the issue of having the best quality sound presents unique challenges. So its best to do some concentrated planning on how you are going to accommodate the sound needs of the event to your equipment because if you have wonderful pictures but the words and sounds of the event are muddy or lost, then the quality of your final product is seriously damaged.

Many an unsatisfactory video was taken with a camcorder because the operator depended too heavily on the small microphone that is built into the casing of the machine. The only situation where this microphone may be adequate would be if you were conducting a one on one interview in a small room where you could position the camcorder within three feet of the subject. Even then, surface noise from the surrounding building could become part of the audio outside of the awareness of the operator at the time.

To assure that you have complete awareness of what is going onto your video recording of each event, the investment in a good set of closed back headphones to monitor the audio is an outstanding move. You can plug it into the camcorder and you are dynamically aware of what is going onto that tape at all times. If something gets into the audio that is not appropriate, you can use editing techniques or even re-shoot the segment if that is possible in the context of the event.

For the majority of events, plan to use the auxiliary audio input plug to incorporate a mobile microphone unit rather than depend on the onboard microphone in the camcorder casing. This small plug alone opens up a large range of solutions to the problem of poor camcorder audio that is so often endemic of videos made with this technology.

If you are working with an external microphone, be aware of the limitations of the wire if you are not working with a radio frequency microphone unit. In a situation such as a speaker doing a presentation, you can lay the cord down between the recorder and the speaker’s stand assuming you have sufficient cord length to reach the where the microphone will mount on the stand. Be careful with the excess cord, perhaps securing it with duct tape so those listening to the presentation don’t trip on the cord or pull it free which could cause injury and damage the equipment.

In many situations such as one in which you plan to interview people in a roving fashion or to record a speaker who is on the move a great deal, a radio frequency microphone may be necessary. These can be more expensive but without the investment in this technology, your audio quality relying exclusively on the camcorder built in microphone will almost certainly be disappointing.

Tips On Taking Your Own Wedding Pictures

Your wedding is fast approaching and as the anxiety grows in everyone associated with the big day, two big concerns weigh on everybody’s mind. Those are…

(1) How can we reduce the stress of this big day? (2) How can we cut the costs?

These two questions are in conflict with each other too because in order to reduce stress, you have to increase the work that someone has to do. Sometime during the preparation time frame, the idea will come up, why don’t we let “John Jones” do our wedding pictures? John Jones may be someone’s brother who is “really good at photography” or just a friend of the family. The appeal is that they will save you a pile of money and probably do just as good a job as the expensive photographers.

While you certainly want to watch out before you turn over this important job, maybe you or someone in the wedding party can take the photos as well as a professional. After all, how many wedding nightmares have you heard about a professional photographer who either damaged the romantic nature of the ceremony by butting in too often, aggravated the guests by blotting out their view of the wedding to get an action shot or charged an arm and a leg only to deliver poor quality photos.

In truth, it is entirely possible for an “amateur” photographer to do a terrific job taking pictures at the wedding. But there are some guidelines you should follow if that job has fallen to you. If you are reading this as the bride, groom or anxious mother and you are considering using a friend for these photos, spend an hour going over these guidelines and not only will you get better pictures, your anxiety level will go down too.

1. Know your equipment inside and out. Whether you are using a run of the mill digital camera or an expensive set up that has taken you years to work up, make sure everything is in top-notch working order and that you are thoroughly familiar with every nuance of the machine. Remember Murphy’s Law. If anything can go wrong, it will. So keep Murphy out of the wedding by checking and double checking your camera and related equipment.

2. Have spares of everything possible. If there are batteries involved with the operation of the camera, have several spare sets on hand and know where they are. If the batteries go out as the bride and party are posed at the alter, you don’t want an hour delay why you run to the 7-11 to get more. The same goes for flash bulbs and even the camera itself. Have spares of everything possible so Murphy just goes to the next wedding down the road to make his mess.

3. The photo is about more than the bride and groom. If you are used to “staging” your pictures, you may not worry that often with activity in the room. After all, if everybody is posing, the environment is controlled. This will not be the case during an action shot like during the wedding or reception. So keep a keen awareness of the room, the activity around the subjects, the lighting and background props. You don’t want to produce the perfect shot of bride and groom kissing only to have Cousin Ned gagging on the cake in the background.

4. Be aware of glare from windows, lights and eyeglasses. These can sneak up on you.

As a rule, someone who is part of the event can get great shots because they know the people and can be mixing as those wonderful “little moments” occur. So it’s worth a try if you feel good about the skills of your photographer and they follow these little guidelines.

Getting That Natural Pose In Portrait Photography

Hard as it is to believe, portrait photography is considered to probably the hardest of the many specializations in the profession. That moment of positioning a subject in front of that plastic fake background to sit on an uncomfortable chair and make a smile they would never use in any other setting is legionary and not one that you look forward to. And you can tell the subjects, especially the men, are enjoying this about as much as they like going to the dentist.

So how to take some of the teeth out of the process. For some portraits, you cannot get away from the formal “seating”. But even then, there are ways to relax the subject so the smile you get was one they really wanted to give you.

The optimum portrait is one that is not a portrait. If you can get the subject talking about their favorite subject, interacting with someone they like or love and using their sense of humor, that sparkle in their expression and gleam in their eye is absolute portrait gold to you the photographer.

Now, you cannot lie to the subject. So if you explain that you are going to be over here working on this stubborn camera, then just gently guide the conversation, they will begin to get used to hearing the shutter to off and seeing the flash but they may be able to not tense up.

Some of the finest couple portraits I have captured happened when I got the couple having a loving chat or mild argument with some teasing and that natural flirtation came out. When you can snap that moment in time, you will have a photograph they will treasure for a lifetime.

Obviously, the key to any photograph is to capture the personality and the “soul” of your subject. I was photographing a boy scout in his uniform for a very important photograph to the family because the boy had achieved the Eagle rank, which is a high honor. But I knew this kid had lots of personality so I wanted the “formal” shot but I wanted this kid’s heart in it too. So I told him I would be snapping a few shots to test my shutter and I got him talking about boy scouts and camping. As I got him to tell me about the funniest moments he experienced camping, that smile came out and boom, I had my shot. It hangs in my lobby now as one of my finest moments as a photographer.

If you can get the couple to do the portrait at home, in a restaurant or at some familiar setting, you can get that kind of rapport going much easier. This requires that you, the photographer must be not only a skilled artisan with your camera but somewhat of a politician, a psychologist and a hypnotist all tied up in one. So polish up some good “charm” that you will use to ease those personality shots out of your subjects.

And perfect that charm for different personalities. You may need to flirt the smile out of a young girl or tease it out of a child. You may need to get some “man to man” humor out of that burley construction worker or make an off the cuff crack about a politician to get Mr. Business Man to chuckle. And for the babies, well, they will almost smile for their mommy and almost certainly smile for daddy so use them to the hilt.

By combining your skills as a photographer with a generous portion of people charm and grace, you will make memorable portraits that will be better than the uncomfortable, stiff looks that so many accept as ok. Your customers will be happier and you will enjoy a pride in your work that you well deserve.